name. rhy havilliard.
aliases. rhy, rhysand, rhyrhy
d.o.b. august 13, 2000
gender. male.
sexual orientation. homoflexible
birthplace. melbourne, australia
languages spoken. english, french, greek
occupation. university student

height. one hundred and seventy five centimetres
weight. fifty-nine kilograms
hair colour. pink, but sports other colours such as orange and blonde
eye colour. black, often changes it to sea green
clothing style. tight fitted pants, black combat boots, three quarter sleeve shirts, a frayed leather jacket, jewel tones, dangling earrings.

parents. mother, father, step-mother
siblings. younger half sister, and aphrodite cabin
spouse/ partner. none

subject displays traits of: charm, observance, intelligence and high sociability.

subject displays high traits of charm and observance, seemingly using these skills to his advantage in daily life. he is often seen being able to easily read and interpret human emotion and easily being able to adapt his words and actions to best fit the feelings of another person. this is best seen in times of need, where he attempts to escape trouble, or areas of distress, where a person needs to be comforted.

subject also has a tendency to display traits of high sociability and intelligence. he is seen as a sort of mood-maker in friend groups and public gatherings, easily being able to fit in well with many types of people and personas. this is backed up by his high intellect, as someone who is well versed in knowledge, the subject finds it easier to connect and find commonalities with other people, such as bonding over certain aspects in life whether is be the sciences or liberal arts.

subject also displays traits of: manipulation, low empathy, high judgement and facade

subject is also someone who has little sense of empathy for others, he might easily understand and adapt to others emotions, but he has a hard time understanding why these emotions and exist and why it affects people so much. as such he becomes someone who manipulates the emotions of people for his own gain.

in accordance, the subject also seems to be highly judgmental of others, although he hides it well under his facade. due to having a low understanding of human emotions, he often finds himself being judgmental and harsh to others feelings although he mostly voices these thoughts only to himself and in private where no one can hear them. in public, he places on a facade where he pretends to be caring and concerning of other people and their troubles, however it is still unknown why the subject does this, one speculation could lie in his past.

on the stroke of midnight on august thirteen, year 2000, subject rhy havilliard was born. this was also the day aphrodite had exited the havilliard family forever.

"dad did not take it too well." the subject notes, his face turning unreadable at the talk of his day of birth. it seems that the departure of the goddess hit the havilliard family, hard.

"dad loves me, he raised me the best he could, but he could never look me in the eye. i think i look too much like mom." the subjects father, seemed to have been devastated at the loss of aphrodite, barely able to connect with his own son after her departure as looking at the subject seems to remind him of her a great deal. but as a father, he did his best to raise the subject in a household where he was privileged.

"i grew up great, i had a good school life, a great education, i was well-off. but if there is one thing my mother has taught me, it's that love is so powerful, and so destructive." watching his father suffer for years to get over his mother, even as he had found another woman and started another family, the subject knew his father would never be able to forget aphrodite, her spell was too strong and he was too weak.

"and you know what my dad has taught me? human emotions are so frail, they control us too much. it's so pathetic. humans are so damn pathetic." the subject seems to have gotten his low empathy from seeing how broken his family had become due to love. he seems to have grown up in a world where love was viewed as a destructive and pathetic emotion, contributing to the way he is now.

"let's end this. this all you need to know. love is not beautiful, it's deadly. and i'll be damned if i let it get the best of me."

charmspeak: is a rare type of hypnotism ability that chosen children of aphrodite possess. it can be a very powerful weapon, as it can make people do anything on command.

"so that's what it's called. i just hoped i was good looking enough for people to do anything i wanted."

subject holds high control and power over this ability, being able to completely be in control of a whole crowds actions and emotions. however the more people around the less effective it gets.

illusion magic: it is another type of hypnotic ability where the subject is able to alter/ change someones perception of the human world.

"you make it sound so powerful, i like it. but really it's just easier when the human mind wants to believe it"

subject holds low control and accuracy in this power, not being able to develop is well. but in times of success he is able to alter someones perception of a place, or even memory. but it never lasts long and he can only do it one person at a time. really it manifests most frequently in rhy just changing his own hair colour for comedy sake.

amokinesis subject can sense and manipulate all the aspects of love, of themselves, people, animals and other creatures, whether by increasing, decreasing, causing or otherwise channeling love, even manifesting the emotional energy to a physical level.

"it's my most destructive ability, love can make you do such crazy things."

subject holds decent control over this ability, it works best on human beings and less on animals and other creatures, which is where his disdain for animals arises. he is able to manipulate, intensify and crush feelings of love and affection, but he's only ever done it to one person.

one sentence.

" i am armed, one more step and i stab you with a crayon."

"please refrain from stabbing her, you can't get another punishment."

"i know we already broke, like, eight laws, but I think we should draw the line at kidnapping."

"I don’t care if you panic, just panic quietly."

"shut up, it’s fine, just chill, we’re fine, I’m fine, everything is cool, everything is good! we’re chill, nothing is happening and I am not freaking out, not at all, we’re FINE."

"tastes just like grandma’s cookies…. I always hated grandma’s cookies.”"

"don't i get a kiss for luck? it's kind of a tradition, right?"

"they are weak-minded, easily bought, and violent. i love them."

“every time i’m around you, some monsters attack us. what’s to be nervous about?”

“you’re planning something. you’ve got that i’m-planning-something look.”

“lots of death, huh? personally, i’m trying to avoid lots of death, but you guys have fun!”

two sentences.

"i’m trying to have a serious conversation with you."
"and I’m trying to subtly avoid it."

"i hate you."
"why! i'm lovely!"

"i don't give a damn."
"you give so many damns they're visible from space."

"i’m surprised you haven’t killed him yet."
"i keep trying but nobody let’s me get very far."

"do you think i suck at sparring."
"no. but i don't think you should try again."

"damn right i'm pretty."
"i said petty."

“ you smell like you’ve been run over by an electric horse.”
“don’t change the subject.”

title: late nights, late company
characters: rhy, you
genre: slice of life, humour, action
status: open

description: rhy had just finished up his last activity of the night and was heading back to his cabin, until he heard saw someone furiously going at it with the wooden sticks in the sparring area. are they reciting the alphabet while they hit wood?

title: you need a makeover
characters: rhy, you
genre: slice of life, humour
status: open

description: rhy has had absolutely enough with your fashion sense, like seriously you are a walking nightmare to him. so one day he decides to ambush you in an attempt to fix the mess that is.. you. no seriously you have to let me do this, seeing you gives me second-hand embarrassment.

title: title
characters: rhy, you
genre: genres
status: open

description: tba.